P.D. James: 5 Pieces of Advice for the Writer

PD James, the English language, Uncategorized, vocabulary, whodunit, writing
Phyllis Dorothy (P. D.) James was the author of twenty books, many of which have been televised or filmed. She began writing in the mid-1950s. Her first novel, Cover Her Face, featuring the investigator and poet Adam Dalgliesh of New Scotland Yard, was published in 1962. Many of James’s mystery novels take place against the backdrop of UK bureaucracies, such as the criminal justice system and the National Health Service, in which she worked for decades starting in the 1940s. She was the recipient of many honors, including the Mystery Writers of America Grand Master Award and the National Arts Club Medal of Honor for Literature, and in 1991 was created Baroness James of Holland Park. She died in 2014. Here is the advice she gives to would-be authors.
1)    Increase your word power. Words are the raw material of our craft. The greater your vocabulary the more effective your writing. We who write in English are fortunate to have the richest and most versatile language in the world. Respect it.
By increasing your word power she does not, of course, mean simply poring over a dictionary and logging up scores of obscure words that you use indiscriminately in the course of your writing. It means when you write you have several alternative synonyms you can draw on in order to give your writing color and nuance. Whenever I discover a new word, I usually find it helpful to use it at the first possible opportunity, either in conversation or in writing so that it gets embedded in my memory. That way, I retain knowledge of new words and can use them whenever seems appropriate.
2)    Read widely and with discrimination. Bad writing is contagious.
Here the focus is on reading good authors. But I also think it depends how you read. If you read for pleasure only and without any attempt to analyze the text then there is only a limited amount of benefit you can derive in terms of your own writing. That’s not to say you shouldn’t enjoy what you’re reading. It just means that when you read you should also pay attention to how an author writes, how he or she achieves certain effects, how the book is structured and what kind of vocabulary is used. That way you can enjoy reading but also grow as a writer yourself, by trying to imitate the good aspects of another author’s writing.
3)    Don’t just plan to write – write. It is only by writing, not dreaming about it, that we develop our own style.
Like any other skill, the more you practice the better you get at it. What definitely helps is if you build writing time into your daily/weekly schedule, instead of blitzing it twice a year. Steady progress helps you to develop as a writer, better than staggered and erratic effort.
4)    Write what you need to write, not what is currently popular or what you think will sell.
That’s easy for her to say, you might think, since she has a steady stable of bestsellers to show for her efforts. On the other hand, if you are only writing what you think the public will buy in the hope of accumulating wealth, readers, more often than not, will notice your insincerity and steer clear. If you can combine writing what you really want to write with a popular genre, all to the good. Just don’t sell out to commercialism just because people seem to be buying a certain kind of book.
5)    Open your mind to new experiences, particularly to the study of other people. Nothing that happens to a writer – however happy, however tragic – is ever wasted.
This also makes a case for not isolating yourself as a writer. Writing is a solitary occupation, and unless you can plug yourself into human experience in a meaningful way, by putting yourself into situations where you can interact with other people, gradually you will run out of convincing things to write about or become one-dimensional in your representation of human relationships. Again, it also makes a case for trying to see life through the eyes of the other people we know and using that in our writing to portray authentic human beings.

 

 

 

 

Some of these points apply more fully to writing fiction, but most of them have a bearing on any kind of writing – poetry, non-fiction, even business reports at a stretch!

Finding Time to Write

bestsellers' list, creative writing, distractions, finding time to write, publishing, Uncategorized, writing
One of the reasons a lot of people have never written a novel, or completed any other writing project for that matter, comes down simply to the fact that they can’t find the time to write. But there are various different attitudes strung along that continuum. Some say that they can’t find the time because their social calendar is full. In this case, each social event is weighed up against the desire to write and, after the briefest of punch-ups, writing takes a dive in the first round and is once again put on the back burner. Others say that whenever they sit down to write they are too easily distracted by other things: TV, the Internet, finishing a crossword, reading a book, staring out the window. This is a common complaint that is easily remedied by a bit of objective examination of the circumstances. But there are people on the other end of the spectrum, who believe that everything should be sacrificed in order for you to achieve your writing goals. I have even heard more than one well-known writer maintain that he chooses writing over his wife and children and has no trouble abandoning them to concentrate on his writing…
One aspect of writing that makes a difference in whether or not you ever achieve anything at all, is whether you take a professional attitude to your writing projects. If you view them merely as pastimes or hobbies, then there is little to stop everything else impinging on your writing time (although you could argue that there are many people who take their hobbies more seriously than they do their day-time jobs!). If you say to yourself, “Self, you must be serious about finishing writing projects and take steps to guard the time allocated to them,” then you are well on the way to writing success. It’s a good start at least. Never just dabble, never merely “dip your toe” in the waters of the writing life. If you ever want to achieve something as a writer you have to have a decent amount of commitment to see it through.
If you happen to be married, then it helps enormously if you can obtain the agreement of your spouse. All it takes is sitting down together and discussing what is reasonable in terms of time commitment and effort. This is often a two way street and you may have to make some reasonable concessions of your own before an agreement can be reached. There is no use insisting upon your writing time if there is nothing in it for your partner. The mistake that the aforementioned guy who put his writing before his family made was in setting his priorities wrongly. It is the same with any career choice. The time you spend with your spouse and kids is crucially important. If you skimp on that, you do not get the time back, and you cannot make up for the kids’ lost time by choosing to spend time with them when they are adults and you have several bestselling novels under your belt. No, without doubt, when compared to almost everything else in your life, family should come first. On the other hand, if you examine your schedule you will probably find that you can cut some slack here and there from other less important activities and still find time to write, without stealing time from your family.
Taking time out of your downtime is often a good place to carve out a writing life. That is not to say that you should lock yourself away and never communicate with another human ever again. All it means is that, if you are serious about wanting to achieve something as a writer, then often you have to make sacrifices elsewhere. There is all sorts of time that is easy to spend on watching sports activities and TV shows, that, with some shrewd management and a modicum of discipline, could add several hours of writing time to your average week.
So, say you hack away at your schedule and miraculously chisel out an hour a day. What do you do then? Well, first of all you need to find a place to write that is not prone to distractions. This is preferably in a room on your own. Some people can write better while listening to music. I’m not one of those people. I’m easily distracted. Similarly, if you find yourself peering through the slatted blinds at the traffic passing outside your home for hours on end, maybe you should turn your chair/desk/writing surface so that you can’t be distracted by that.
You may even find that when you sit down to write, you are too drowsy and no amount of coffee will shift that. Everyone has his or her own circadian rhythm and each person is more drowsy at certain times of the day and more alert at others. It’s worth experimenting with this to find out when a good time for you is. I know that I begin to slump some time between 3.30 and 5 p.m.; for others it may be different. Then again, if you find you are drowsy no matter what time you choose, then you may not be getting enough sleep. There’s no point is waking up after half an hour slumped over the desk and drooling into the keyboard of your laptop. For some, lack of sleep can be accounted for by the fact that they are getting up several times a night to tend to a newborn infant. In that case, there is nothing you can do about it and you either have to stumble on and make the best of it, or regretfully wait for a few months until you’re back on your game.
Whatever time or place you choose, what matters is whether you are serious about wanting to achieve something in your writing. So to sum up:
  • Be professional
  • Get the complicity of your family
  • Prioritize your social activities
  • Choose a conducive place in which to write
  • Eliminate distractions
  • Get enough sleep
  • Choose a time to write that works for you

 

After that, all that is required is for you to come up with a few interesting projects to work on. You will find, if you can sustain a regular work ethic in writing that, in time, you will be able to complete even the most complex of projects. Before you know it you will be sending off manuscripts and book proposals to publishers and eagerly awaiting the sudden appearance of your new novel on the New York Times bestsellers’ list. (Or wallpapering your bedroom with rejection letters, depending on how good you are – but that’s another topic.)

 


Planning

non-fiction, novel, planning, scenes, spreadsheet, synopsis, Uncategorized, writing

 

To my mind there are no hard and fast rules about how to plan a work of literature. But what I have found is that my method changes depending on genre. I’ve written two non-fiction books and the method I used was to get a pile of research material and read through it and while reading take notes. The notes were my reflections on the source material and were fairly detailed. Once I had finished with research I would go through my notes and categories them according to theme. Then I would rearrange the notes into section, each section representing a theme. After reviewing the themes I found that some of theme seemed to go together. So I grouped the themes into chapters and hey presto! I had the first draft of a book along with footnotes stating the sources.
 
But for novels I have a different method. First of all I try out a few opening scenes to see if any of them have legs. Once I’ve written a couple of chapters and I can see where the story is beginning to go I write a synopsis.
 
It puzzled me for years what the difference was between a working synopsis and a synopsis meant for submission to a publisher. It was only after trial and error that it dawned on me. A working synopsis tends to be more of a description of what I hope to achieve in each chapter rather than a description of what’s actually there. This makes sense if you think about it. When you’re writing a book nothing IS there to begin with because you haven’t written it yet. So when you write a synopsis you’re really giving a description of what a chapter, or part of a chapter, should achieve in terms of the overall plot.
 
What works for me is to create a table in MS Word with two columns: column 1 for the chapter numbers and column 2 for the synopsis of each chapter.
 
Each novel I’ve written has been between 28 and 32 chapters, with each chapter being somewhere between 2,400 and 2,600 words.
 
Another thing I do is to take a note of the number of words I write each day and keep this in a spreadsheet. It’s heartening to glance at it now and then in the course of writing to see how much I’ve written already and how far there is to go.
 
For one novel, “The Blood Menagerie” I even drew up a flowchart of when each character appeared and what they did. The flowchart had the characters’ names along the top and the chapter numbers down the left hand side.
 
The only reason I do all this is not because I’m ultra-organized. It’s just that I like fiddling about with calculations and spreadsheets and things. There’s always the danger that I spend time fiddling instead of writing. I’m still waiting ruefully for the day when I put the finishing touches to a pristine and highly complex spreadsheet and suddenly realize that I haven’t actually written anything yet…