They say that everyone has a novel inside of them. Could this be the reason for the epidemic of heartburn that pharmaceutical companies are constantly telling us about? It may be true that many  people think they have an idea for a novel, but there are very few people who actually take the brave step of going ahead and writing one. If you feel that you have a story that you would like to write, before you start it is worth bearing in mind the following obstacles to successfully getting it down in writing.

The first novel I wrote, Lab Rat, was created mainly during lunch breaks. The company I worked for allowed employees an hour for lunch and during this generous time endowment I would sit at my desk and type away at the rate of about 500-600 words per day. When I got to around the fifty-thousand-word mark I stopped to consider what I was doing. Basically I was busy creating a monster of a novel that had more cast members than Ben Hur and meandered along its merry way creating problems that were never really solved by any of the characters. I had no idea where the story was leading and there was not even the slightest hope of plot resolution even in the distant future. It was at that point that I decided to draw up an outline and follow it to conclusion. Well, eventually I finished writing the novel and left it for several years before I went back and tried to grapple with it again. It was a mammoth task knocking it into shape, that involved cutting out about thirty characters, conflating timescales and eradicating from the text passages that seemed pretty good but were irrelevant.

There are a lot of people who say that to write a novel all you need to do is start writing. They talk about the author discovering the story as he or she goes along and allowing the characters to dictate the plot. That is all very well but quite often what you end up with is a primordial soup of a novel that needs so much work to rectify its deficiencies that it’s like writing it all over again. Either that or you end up with a novel that is unreadable and ultimately unsatisfying for the reader.

I’ve nothing against trying out a chapter or two first, without any clear aim in mind, but what I’ve found is that the sooner you sit down and write out an outline of the plot the better the book will be and the fewer drastic changes that are needed when you’ve finished.

It’s a tricky exercise writing a novel and it is easy to get lost in the labyrinth of plot points and forget to bring to completion some part of the action that you kicked off earlier. That’s another good reason to come up with an outline. With one novel I wrote, Milano, about an art heist, I even went so far as to draw up a chart of each scene. The succession of events was complicated and the chart helped me to keep track of everything that was mentioned early in the novel and make sure that it was brought to a satisfactory solution in the end.

There must be thousands of desk drawers throughout the world containing the manuscripts of novels that were never finished. This can happen for a number of reasons. Many people dabble at writing a novel but don’t have enough confidence in their ability or they are daunted by the apparent immensity of the task before them and the endeavor slowly fades into nothingness.

One thing I’ve found that helps is treating writing as a professional activity rather than a pastime. That way, you can justify the time you carve out for writing without feeling guilty about it. Conversely, it also places some responsibility on your shoulders and forces you to write when you’re supposed to, without shirking.

Another thing that helps is if you plan to write a certain amount each day, or each weekend, or whenever it is that is a good time for you to write. That gives you a target to aim for and also gives you a sense of achievement when you’ve completed the task.

It also helps if you tell other people about your novel-writing project. It gives you some accountability, since they well might ask you how it’s going. You might even end up writing because you’re ashamed to face what other people might say if you give up. Which is all grist to the mill.

This is more to do with the nuts and bolts of your novel, rather the writing process itself. I don’t know about you but if I come across characters in a novel who have similar sounding names I get confused. I get confused even if the names have the same initial letter. In my own novels what I have tried to do is come up with a set of names that have different initial letters just to keep it clear in the mind of the reader whom everybody is.

Of course, that doesn’t really help much if two characters are very similar in other ways. For example, you might have two tall, dark, brooding protagonists who have a similar line in dialogue. That too can confuse the reader.

The same thing can happen if your novel involves a cast of family members. Sometimes that too can be difficult to straighten out in the reader’s mind.

The key is to give each character not just different names, but different characteristics and make sure that you periodically refer back to those characteristics. It can also help if you reiterate their relationship to the other characters by referring to previous incidents that have occurred in the novel that they were involved in.

Ah, this is a bit of a bugbear, isn’t it. Basically, if you produce a novel that has defective grammar and/or punctuation, it is never going to get published – unless you decide to publish it independently yourself. But even then, it will most likely garner one-star reviews if there are glaring textual defects like that.

If you are not very good at grammar and punctuation, it is a good idea to study it. One of the best grammar and punctuation manuals, I’ve found, is the Chicago Manual of Style. It goes into detail about every aspect of correct usage and syntax. A different edition is published every year or so, but you can purchase previous editions very cheaply from online bookstores.

If you are still stumped about how to write proper English, don’t despair. You can always write your novel and then hand it to an editor to correct for you. Yes, it might cost you a few bucks but you have the satisfaction of knowing that when you submit it to a publisher at least it’s in decent shape.

So if you have a novel inside you, don’t just reach for the Zantac. Get it down in writing – or typing – but remember the above points. They could just save you hours of heartache and pain.