What a novel idea!

England, Italy, London, Milan, Minnesota, novel writing, organized crime, outline, Psych, St. Paul, synopsis, Uncategorized
So far I have written six novels, each of which is a standalone book. Three of them take place in the St. Paul, Minnesota and three of them are located in Europe (one in a fictitious prison camp somewhere in England, one in London and one mostly in Milan, Italy). In the past few years I haven’t written any novels at all, but instead concentrated on nonfiction and poetry. Nevertheless, I have, from time to time, tried to come up with plots that might lend themselves to a full-length novel. Here are just a few of the possible contenders:
1.     A guy who is having a midlife crisis decides to quit his job and head off on a road trip across the USA. The story also involves his relationship with his father, whom he had always admired, until… he discovers a dark secret about him that changes his whole perspective. His route takes him through small towns and large cities and he has encounters with various people, including a number of weirdoes, criminals and crackpots. At one point he is held hostage during a bank robbery. The back story unfolds, as he travels, through the use of flashbacks.
Here it is unclear whether the story has “legs.” Is there enough of a basic plot to last a whole book? Possibly not. There would need to be several subplots tied to the main plot in order to make it credible as a 70k+ word novel. Also, the idea of a guys simply doing a road trip seems kind of aimless. He would need to be searching for something specific.

Heist

Art, forgery, heist, Mike Faricy, Milan, novel, planning, Uncategorized

I am in the middle of writing a novel I started ten years ago. I started it, then left it to pursue other projects. Then I started it again, and drifted away to other books. Now I’m back. The book is about an art heist that takes place in Milan, Italy and it is fun writing it and I hope it will be fun reading it. A lot of the local color I gleaned from working over there for a bank. I have memories of fancy restaurants, ancient architecture and working my butt off 12-14 hours a day! So I have an almost magisterial amount of authority when it comes to the rigors of surviving Milan!

For the book, I had to do a lot of research into quite a number of different areas: art pricing, art forgery, art history, safecracking, weapons, state-of-the-art security and a whole host of other background detail.

This is not the sort of novel you can just begin and go with the flow, wondering where it will take you and so far it’s taken meticulous planning (just as, I expect, a real heist would!). When I looked at the synopsis, I found that it was around 7,000 words in length – mostly because I included a whole bunch of reminders on background detail for myself as I went along. However, I’ve tried to write it in such a way that it I’m not hide-bound by the planning but instead make it sound at least believable and compelling.

I was talking with my friend Mike Faricy recently. He too is a novelist and he has taken the opposite approach with his novels. He sits down and begins to write and is constantly pleasantly surprised by plot turns and character development, which, of course, makes it fun to write. His novels are also fun to read, so it’s obviously a perfectly valid way of approaching novel writing – in fact I’ve used that approach with other novels I’ve written.

So the question is: when do you do meticulous planning and when do you go with the flow?